WHEN was MIDI born?
- The first keyboard on the market with a MIDI interface
was the Prophet 600 by Sequential Circuits in 1983.
- Roland made some MPU-401 programming information
available to other parties, and soon, there were other
PC programs that supported the MPU-401 interface.
One of those products was called "Cakewalk",
made by a small upstart known as "12 Tone Systems",
who later changed their name to "Cakewalk"
since that product became synonymous with the company.
- Roland and SQ revealed their results at the first
North American Music Manufacturers show in Los Angeles
in 1983.The simple demonstration connected two synthesizers,
not manufactured by the same company, with two cables.
A representative from one company then played one
of the synthesizers while an amazed audience heard
both sound. The process was then reversed to demonstrate
the two-way nature of the communication. Other variations
were illustrated, and the rest is music history.
Birth of MMA
- By 1985, virtually every new musical keyboard on
the market had a MIDI interface.
- Roland and SQ thought "Well, we don't want
to be responsible for disseminating new additions
to MIDI to every music/computer company that supports
MIDI. We have too much other work to do. We don't
have the time to prepare and mail documents to everyone
else". So, all of the musical manufacturers supporting
MIDI agreed to start a new organization called the
MIDI Manufacturer's Association (ie, MMA).
It would be the duty of this new organization to produce/disseminate
the paper documents for the MIDI standard, and be
the clearing house for new additions/changes to the
specification. Members of the MMA would pay some dues
to fund the cost of operating this new organization.
And thus, the MMA was born.
Applications and Usage
1. Syncronisation of:
- Keyboards
- Synthesizers
- Computers
- Studio Tape Decks
- Digital Sound Mixers
- Stage
Light Controllers
2.
Easy Sharing of creative work over several platforms.
Well, the application of MIDI is Immense. Now a days
every professional Audio device is MIDI compatible.
3. As MIDI is just a set of written instructions, which
controls the remote device, the output file is very
very small, few bytes. So sharing these files becomes
just a snap.
4. Nowadays, professional sound is already loaded on
the soundcards. So a simple MIDI keyboard can trigger
these wonderful sounds, which can be played back the
same way, with the small midi file on the same or similar
soundcard later.
5. It used to be a headache playing combination sounds
by playing different keyboards simultaneously. But now
only one keyboard can suffice the requirement, as it
can be sequenced to play the sounds on other keyboards
through a MIDI link. It was a headache mixing sound
on analog mixer in studio.
What ever was to be mixed was to be precisely mixed
as no recollection later was possible. Imagine all EQ,
balances, levels of maybe 20 odd audio tracks to be
remembered!! Well all this was solved by introduction
of MIDI compatible Automation Mixers, where all faders,
EQ, panning effects were motorised and recallable.
6. Stage Lighting for repeated plays in professional
setups is MIDI automated. As this stored info can be
used everywhere the plays go.
7. With affordability of computers, this MIDI automation
and sequencing on the keyboard has become a childs play.
Now no more it is necessary to fiddle withose tiny buttons
on the keyboard to get the right sound. Just a click
of the mouse is enough.
8. The most popular aspect of MIDI, MTC or Midi Time
Code, is used to sync synthesizers with analog devices
such as old spool recorders, HI8's, and computers. For
e.g. the music part can be arranged on a synthesizer,
and the vocal part can be recorded on a hard disk or
spool, in sync with the synth. When you press rewind
on master device the other devices will sync back. This
allows efficient utilisation of hard disk space as all
the tracks needn't be recorded on the hard-disk.
9. As General MIDI Standard and affordability of professional
synthesizers and PC Sound Cards increasing, it is a
haven for
people, to play around with sounds, make karaoke tracks,
drum loops, etc and share them on the net across the
globe. The files are so small that you wouldn't know
when it got
downloaded.
A Boon for Budding Musicians with a tight Buget
And the price of going into - The Professional recording
studio? We're talking hundreds of dollars an hour. You
could go broke before the microphones were even setup
in front of all of the instruments.
MIDI / computers allow for professional recordings to
be made on a budget, in small, "home" environments
that don't require things like special sound-proofing.
Furthermore, the technology in computer audio often
eliminates expensive, time-consuming tasks, such as
tuning drumkits and placing microphones/cables.
The storage capacity of computers also makes recalling
a given setup very efficient and inexpensive, which
is important since often a setup needs to be recalled
during multiple sessions.
An example
With MIDI, I can play all of the musical parts myself.
(Well, really the MIDI sequencer is my "band".
It obeys all of my instructions, whenever I want, even
when I get a great musical idea at 3AM. Try assembling
a band at 3AM in order to check out a musical idea.
Good luck.
With
MIDI, I plug in my headphones, and start arranging my
great idea immediately, and my sleeping neighbors don't
even know that I am arranging and listening to
the playback of my musical piece written for a 40 piece
orchestra). If you cant afford a professional keyboard
like a Roland or Korg, no sweat. You have a old computer.
Just fit in a decent sound card (as per my advise, sound
blaster live wich has digital I/Os and economical too)
and a basic keyboard with MIDI I/Os even a second hand
one would do. And you can start playing the great sounds
of the computer.
With a MIDI sequencer, you press the rewind button and
it s instantaneously ready for playback. No waiting
for rewinding tape. You can have the sequencer automatically
punch-in for you. (ie, you don't need another guy to
punch the record button while you're busy playing your
overdub). You can fix your mistakes just by quickly
editing the individual "musical events". Most
sequencers can display the data in the representation
of a musical manuscript upon the computer's display.
You just click on the graphical notes with the computer
"mouse" to edit them. There is no equivalent
to that in the old analog days.
And you can slow down the tempo to record your part.
Speed it up for playback, and no Mickey Mouse effect.
And transposing? The computer does it for me.
I just tell it how many half steps up or down, or tell
it what new key signature to use. And it is helped improve
my arranging immensely. For one thing, I get instantaneous
feedback on my arrangements while I am arranging, just
by pressing the play button on the sequencer. I don't
have to wait for musicians to play my parts. (And I
don't have to pay them either because "them"
is my multi-timbral MIDI module playing all of their
parts on all of their instruments. For the price of
hiring musicians for one recording session, I've purchased
equipment that I can use for hundreds of sessions).
And I can play instruments myself that I never could
play before. I can play the violin. I can play the flute.
I can play the trumpet. And some Tabla too.
How?
Because I've got a keyboard or that lovely
soundcard that has realistic-sounding renditions
of all of those instruments.
It really helps to get a feel for how to use an instrument
in an arrangement when you actually get to "play"
it yourself, listening to how it sounds in various ranges
and hearing how it blends in with other instruments
in an arrangement.
And my MIDI module never complains about what I m forcing
it to play. It never says "Hey, I don t like this
unconventional, weird-sounding music you write, and
I don t want to play it".
With MIDI, one can make recordings that sound like they
were done in an expensive professional recording studio,
and I do it in my home at a fraction of the cost and
time and physical space. I wish I had it all years ago.
But But But. One should always remember. One can not
achieve the briliance of a genius drumer, guitarist
etc except if himself is one. So in the end even if
the sounds from your midi machine sounded unrealistc,
you can play those arrangements to professional drummers
etc, make them rehearse the pieces and thus go prepared
in the recording studio, thus saving time and a LOT
of money.
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