{"id":2219,"date":"2020-02-15T20:55:30","date_gmt":"2020-02-15T15:25:30","guid":{"rendered":"https:\/\/www.sudeepaudio.com\/blog\/?p=2219"},"modified":"2020-07-02T07:26:44","modified_gmt":"2020-07-02T01:56:44","slug":"mahindra-blues-2020-review","status":"publish","type":"post","link":"https:\/\/www.sudeepaudio.com\/saundcheck\/mahindra-blues-2020-review\/","title":{"rendered":"Blues, and other colourful sounds of that genre"},"content":{"rendered":"
<\/div>

Attending any event that announces itself as \u201chouse full\u201d always provides additional pleasure of feeling privileged, and so it was with the 10th<\/sup> anniversary of the Mahindra Blues Festival held at Mumbai\u2019s Mehboob Studios on February 8 and 9, 2020.<\/p>\n

\"\"<\/a>

Arinjoy Sarkar Trio<\/em><\/p><\/div>\n

As has been the trend since inception, the programme activities were divided across two evenings, with the pride of the opening placement going to The Homegrown Blues Collective, with the common thread across the musicians being featured being Soulmate<\/span> \u2013 comprising of guitar wiz Rudy Wallang<\/em> and the very distinctive-voiced singer Tipriti Kharbangar<\/em> \u2013 who also received ample opportunity of showcasing their musical finesse. As Kharbangar moved aside to allow other musicians to present their respective talent, the stage was soon up for grabs for Rohit Lalwani, the amazing guitar prowess of Arinjoy Sarkar<\/strong>, who is working on a follow up to his fabulous debut album, and the excellence of vocalist Kanchan Daniel<\/em>. However, the coup of sorts was the arrival of Loy Mendonsa<\/em> on keyboards and Ehsaan Noorani<\/em> on guitar, who had fortunately parked their Bollywood initiative on the side, and moved into their true Western music calling with their brand of distinguished Blues, culminating with all the balance artistes returning on stage as they ran through the now standards, \u201cKeep The Blues Alive\u201d and \u201cLet The Good Times Roll\u201d.<\/p>\n

\"\"<\/a>

Keb Mo<\/em><\/p><\/div>\n

Keb\u2019 Mo\u2019<\/strong> was next, and appeared to be a shadow of himself \u2013 this was his second appearance at the Festival \u2013 as his initial live music offerings this time around revolved around all genres but the Blues. In showcasing selections from his June 2019 album, \u2018Oklahoma\u2019, that had guest contributions from two other Festival musicians from the past \u2013 Robert Randolph, and Taj Mahal \u2013 \u00a0the guitarist\u2019s performance was smooth and soulful but, at 90 minutes, the set was certainly over stretched.<\/p>\n

However, the concluding act for Day 1<\/strong><\/span>, the Kenny Wayne Shepherd band<\/strong>, fronted by the guitarist whose \"\"<\/a>name adorns the group, perked up the Blues by returning to a more bluesy and driving style, reminiscent of the late, great Stevie Ray Vaughan. The six-piece backing band, including a two-member horn section, provided perfect support for Kenny Wayne Shepherd\u2019s setlist that ranged from riff-driven cuts \u2013 you could hear influences of Rolling Stones, Deep Purple, and Led Zeppelin \u2013 to instantly memorable hooks. Not shy of focusing on covers, Shepherd ran through Elmore James\u2019 \u2018Talk To Me Baby\u2019, Eagles\u2019 Joe Walsh\u2019s \u2018Turn To Stone\u2019, and Jimi Hendrix\u2019s \u2018Voodoo Child\u2019, replete with guitar playing behind his back. Shepherd also provided an opportunity for his band members to showcase their talents. No doubt, this set was a solid, enjoyable outing!<\/p>\n

 <\/p>\n

Day 2<\/strong><\/span> commenced with a duo who are arguably the long-lost sisters of the Allman Brothers \u2013 Larkin Poe<\/strong> \u2013 an American roots rock band \"\"<\/a>originally from north Georgia and currently from Nashville, fronted by sisters Rebecca Lovell (lead guitar, songwriter) and Megan Lovell (playing slide on a lap steel guitar). With their brand of blues combined with harmonies, with a bassist and drummer as their rhythm section, the line-up ran through Rebecca\u2019s compositions to covers, which included a powerful, rocked up version of Leadbelly\u2019s \u201cBlack Betty\u201d, not unlike fellow American band Ram Jam\u2019s 1977 rendition, as also Son House\u2019s \u201cPreachin\u2019 The Blues\u201d, and a cover of the traditional song, “John The Revelator”. Larkin Poe\u2019s rock leanings were the dominant sound, with remarkable harmonies and a pristine arrangement, supported by a well-crafted set list. Indeed, impressive work although, on occasion, the sounds did appear repetitive.<\/p>\n

Ending the event was multiple Grammy-award winner Buddy Guy<\/strong>,\u00a0who made his umpteenth visit to Mumbai, and played, once again, to \"\"<\/a>predictability; be it his polka-dot shirt, his set list [largely], his chatter, and his on-stage and off-stage antics. However, nothing changes the fact that, at 83, Buddy Guy is the last of the Chicago Blues exponents who was privileged to have performed with legendary Muddy Waters during the glory days of Chess Records. The Festival ended with the expected all-star line-up bringing the event to its inevitable end.<\/p>\n

\"\"<\/a>

Brian Tellis<\/em><\/p><\/div>\n

 <\/p>\n

The Mahindra Blues Festival grew from the remnants of One Tree Festival<\/em>, which was held at the MMRDA Grounds at Mumbai\u2019s Bandra Kurla Complex during the 2000s, also promoted by Oranjuice Entertainment and supported by the passions of Brian Tellis<\/strong>, Jairam, and Owen Roncon. Nevertheless, it is indeed a pleasure to note<\/em> that these passionate event organisers are doing their level best to ensure that the niche of Blues moves beyond the realms of being a mere colour and, further, taking the initiative of pursuing a talent hunt contest with the winners, this time around, being the Meghalaya-based Quiet Storm that performed both originals and renditions during intervals between the international musicians\u2019 performances on both days of the Festival.<\/p>\n

But the thrill of attending the \u201chouse full\u201d event had a downside too, as a lot of genuine Blues fans missed out on an opportunity of furthering their musical interests as the event had been largely taken over by an audience that believed it to be a social occasion, spending time on everything between snacks to spirits, but the Blues\u2026<\/p>\n","protected":false},"excerpt":{"rendered":"

Attending any event that announces itself as \u201chouse full\u201d always provides additional pleasure of feeling privileged, and so it was with the 10th anniversary of the Mahindra Blues Festival held at Mumbai\u2019s Mehboob Studios...<\/p>\n","protected":false},"author":11,"featured_media":2220,"comment_status":"open","ping_status":"closed","sticky":false,"template":"page-templates\/template-noauthor.php","format":"standard","meta":{"footnotes":""},"categories":[261,850],"tags":[629,254,650,222,253,219,97],"class_list":["post-2219","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-musicfestivals","category-musical-passages","tag-629","tag-blues","tag-experience","tag-festival","tag-mahindra","tag-mumbai","tag-review"],"yoast_head":"\nBlues, and other colourful sounds of that genre - SAundCheck<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.sudeepaudio.com\/saundcheck\/mahindra-blues-2020-review\/\" \/>\n<meta property=\"og:locale\" content=\"en_GB\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Blues, and other colourful sounds of that genre - 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