Introducing the WA-14 Large Diaphragm Brass Capsule Condenser Microphone, which is based on the classic condenser microphone from the 70’s that has been used on countless hit records. The WA-14 utilizes fully discrete classic circuit topology, including an all-brass CK12 style capsule design by “Lens Kondensator” and a custom premium CineMag USA transformer. The WA-14 can be used on an array of sources, which includes: punchy and warm intimate lead vocals, aggressive guitars and heavy percussion. The WA-14 provides a realism and thickness that is true to the vintage sonics, but now at an affordable price.

Features:
• Large diaphragm condenser microphone with classic circuit topology
• Cardioid, figure-8 and omnidirectional polar patterns
• LK-12-B-60V Lens Kondensator CK12 capsule
• Custom CineMag USA transformer
• all-discrete signal path with tantalum, polystyrene, and WIMA capacitors
• Requires 48V phantom power
• Includes shockmount

The WA-47 is an all vacuum tube, large diaphragm, transformer balanced, multi-pattern (9), large condenser microphone, based on the classic ’47 that has been used on countless hit records for the last 50+ years. The WA-47 is designed for pro studio, home studio, live, and broadcast applications and sounds great on vocals, acoustic/electric guitars, acoustic/electric bass, drums, piano, strings, brass/woodwind instruments, and an array of other sources. The classic ’47 became extremely popular in the 1960’s and is now considered one of the greatest microphones ever made. The classic ’47 is still widely used today in professional recording studios but have become extremely rare and expensive to acquire.

Designing the WA-47 to sound like the classic ’47 was no easy task, especially considering that some of the vintage components are no longer available. We compared and listened to 2 different vintage ’47 mics and found that they both sounded amazing but also sounded a little different from each other. These comparison tests became the benchmark for tailoring our WA-47 sonics to sit right in with these 2 vintage ’47 mics. We are pleased to release such a gorgeous sounding classic to the market at a price that’s reachable to more people than ever before. We are also proud to mention that the WA-47 sounds legitimately indistinguishable to the vintage ’47s we auditioned on several sources.

As with all Warm Audio products, we focus heavily on quality components to ensure we release the best sounding product possible. The WA-47 is packed with top end components that are carefully sourced from many of the top pro audio component suppliers in the world.

True ’47 style capsule:
The WA-47 utilizes a custom reproduction of the vintage k47 style capsule that was used in the classic ’47 microphone - designed with the same hole pattern and frequency response. Every Warm Audio capsule is made in the same small assembly house in a clean-room environment, and packaged in its own protective jewel case until the moment it is loaded into the microphone. Each capsule is visually inspected and electrically tested for imperfections.

A large part of any microphone’s tone comes from its capsule, and the true k47 style capsule used in the WA-47 is not easily manufactured or typically found in affordable condenser microphones. We are proud to be using such a faithful recreation of this classic part in an affordably priced ’47 style microphone.

FEATURES:
• Custom reproduction ’47-style k47 capsule
• TAB-Funkenwerk (AMI) USA output transformer
• JJ Slovak 5751 vacuum tube
• Wima and Solen French polystyrene capacitors
• Polar patterns: 9 patterns — Cardioid, Omni, figure-of-eight + 6 mixed patterns
• Self-noise: 11dBA
• Dynamic range: 130dBA
• Maximum SPL: 140dB (<0.5% THD)
• Frequency range: 20Hz–20kHz
• Output impedance: 200 ohms
• Rated load impedance: ≥2k ohms
• S/N ratio: 82dBA
• Equivalent noise: 10dBA (IEC651)
• External IEC grounded PSU
• Gotham 5-meter GAC-7, 7-pin tube microphone cable
• Includes wood presentation box, shockmount, and IEC power cable

The WA-47jr is an FET transformerless version of the highly renowned classic ’47 microphone that has been used on countless hit records for the last 50+ years. The WA-47jr is fully discrete, has 3 polar patterns and is designed for pro studio, home studio, live, and broadcast applications. The WA-47jr sounds great on vocals, acoustic/electric guitars, acoustic/electric bass, drums, piano, strings, brass/woodwind instruments, and an array of other sources.

The WA-47jr proudly utilizes a custom k47 style capsule reproduction, designed with the same hole pattern and frequency response as the vintage design. Our version of this capsule (model# WA-47-B-80v) is carefully manufactured by an Australian capsule manufacturer with careful precision and repeat-ability that allows the most important sonic piece of the classic mic to be heard and influence the tone and signature of the WA-47jr. The WA47jr’s low-noise and discrete signal path, when paired with this excellent true ’47 style capsule, allows it to obtain a very similar tone to the classic ’47 microphone, but at a much lower price tag. The WA-47jr utilizes the same k47 style capsule found in our flagship WA-47 tube condenser microphone.

The WA-47jr circuit uses high quality Toshiba FET’s, Wima film capacitors and Panasonic electrolytic capacitors. The circuit is modernized and more simple than the classic ’47 tube microphone, but the components and circuitry are top-notch, and have a sound quality and tone that punches far above anything we’ve ever heard in this price range.

​We at Warm Audio are very excited to bring this ’47 style FET condenser microphone and classic tone to the market at such an affordable price. We feel confident that you will enjoy a lifetime of beautiful recordings with the WA-47jr.


FEATURES:
• Fully discrete, transformerless signal path
• Custom ’47-style k47 34mm gold-sputtered, dual-diaphragm, single-backplate, 6 micron Mylar capsule
• Toshiba FETs, Wima film capacitors, Panasonic electrolytic capacitors
• Cardioid, figure-8, and omnidirectional polar patterns
• 10dB pad; 70Hz highpass filter
• Self-noise: 9dBA
• Dynamic range: 138dBA
• Maximum SPL: 147/157dB (@1kHz 1kOhms 0.5% THD, 0/-10dB)
• Frequency range: 20Hz–20kHz
• Sensitivity: 10mV/Pa or -40dB
• Output impedance: 100 ohms
• Rated load impedance: ≥1kOhms
• Maximum output: 16dBu @1kHz, 1kOhms, 0.5% THD
• S/N ratio: 85dBA (IEC651)
• Equivalent noise: 9dBA (IEC651)
• Dynamic range: 138dBA (IEC651)
• 48V phantom powered
• 3-pin gold-plated XLR connector
• Includes shockmount, hardmount, and zipper storage pouch

The classic ’87 is arguably the most widely-used large diaphragm condenser microphone in popular recording history. Rather than base our WA-87 circuit on current incarnations of this mic, we decided to closely follow the early circuit designs that date back nearly half a century. As is true with many classic microphones, engineers who have worked with different versions of these microphones often prefer the warmer, more forgiving nature of the earlier commercially available models. The desire to re-introduce the warm tone of this classic mic at an affordable price to an all new generation of recording artists was the inspiration behind the WA-87.


Features:
• Designed after a classic, studio-standard large-diaphragm FET condenser mic
• 3 switchable polar patterns: cardioid, omnidirectional, and figure-8
• LK-87-B-50V capsule reproduction of the vintage dual-backplate K87
• Diaphragm: 6 micron, 1" gold-sputtered membrane
• 20Hz-20kHz frequency response
• SPL (measured at .5% THD): 130dB (pad engaged), 120dB (pad disengaged)
• 10dB pad; 80Hz highpass filter
• Genuine USA-made Cinemag output transformer
• 24k gold plated, 3 pin XLR (150 ohms)
• 15dB self-noise, 80dB signal-to-noise ratio
• Includes shockmount, hard-mount, and wooden storage box

The C 411 PP Condenser Pickup Microphone with XLR is a compact condenser pickup microphone that is ideal for on stage capture of acoustic guitar, mandolin, violin, and most other stringed instruments. The C 411 PP works by converting the vibrations of an instrument's soundboard into an electrical signal. The microphone is specifically designed for direct attachment to an acoustic guitar, banjo, zither, or bowed string instrument and is tailored for accurate, coloration-free sound reproduction. Furthermore, there is a supplied adhesive compound for attaching the pickup that is intended to leave wooden, plastic, and metal surfaces undamaged. Ideal for hardwire installations, the C 411 PP is equipped with a standard XLR termination for phantom powering.

Discrete Miking
The C 411 PP is designed to fit inconspicuously on to your acoustic stringed instrument

For Miking Of Stringed Instruments
Vibration pickup with frequency response tailored to acoustic guitar, banjo, zither, and bowed string instrument miking

Adhesive Compound for Mounting
Included adhesive compound for mounting the microphone pickup directly on your instrument

Standard XLR
Equipped with standard XLR connector for phantom powering. Ideal for hardwire installations

The C411 is a miniature vibration pickup for acoustic guitar, mandolin, violin and most other string instruments. Its integrated condenser capsule will reproduce the sound of the instrument clearly and without coloration. The C411 ultralight pickup (18g/0.6oz) can be easily attached on or near the bridge with the included nonmarking, solvent-free adhesive pad without changing the balance of the instrument.

The C411 L provides a professional three-pin mini XLR connector that fits the body-pack transmitters of all AKG wireless microphone systems.

Condenser transducer in sealed enclosure
for clear and uncolored sound

Ultralight vibration pickup
does not change the balance of the instrument

The C414 XLII multi-pattern condenser microphone offers a choice of nine polar patterns for the perfect sonic capture for every application. A peak hold LED displays even the shortest overload peaks. For live-sound applications and permanent installations, all controls can easily be disabled for trouble-free use.

The C414 XLII version differs from the C414 XLS version in one major respect – the capsule. The C414 XLII's slight presence boost and impressive spatial reproduction are both similar to the legendary AKG C12 microphone from 1953.

The C414 XLII offers nine pickup patterns which enable you to choose the perfect setting for every application. In addition to the five patterns traditionally offered by the C 414 (omnidirectional, wide cardioid, cardioid, hypercardioid, and figure eight), you also get four intermediate settings that let you dial in the best pattern to suite your environment. It also features an astoundingly low noise floor and a 152dB dynamic range, making the C 414 XL II ideal for any musical environment. A locking mode allows you to disable all of the C 414 XL II's controls for live-sound applications and permanent installations, and a special "Peak Hold" LED displays even shortest overload peaks.

The C414 XLS multipattern condenser microphone offers a choice of nine polar patterns for the perfect sonic capture for every application. A peak hold LED displays even the shortest overload peaks. For live-sound applications and permanent installations, all controls can easily be disabled for trouble-free use.

The C414 XLS maintains the sonic character of the legendary C414 B-ULS, the most popular AKG C414 version since 1971. Engineered for highest linearity and neutral sound, it has been the most versatile large-diaphragm microphone for decades.

The C414 XLS offers nine pickup patterns which enable you to choose the perfect setting for every application. In addition to the five patterns traditionally offered by the C 414 (omnidirectional, wide cardioid, cardioid, hypercardioid, and figure eight), you also get four intermediate settings that let you dial in the best pattern to suite your environment. It also features an astoundingly low noise floor and a 152dB dynamic range, making the C 414 XLS ideal for any musical environment. A locking mode allows you to disable all of the C 414 XLS's controls for live-sound applications and permanent installations, and a special "Peak Hold" LED displays even shortest overload peaks.

The C414 XLS reference multi-pattern condenser microphone offers a choice of nine polar patterns for the perfect sonic capture for every application. The C414 XLS maintains the sonic character of the legendary C414 B-ULS, the most popular AKG C414 version since 1971. Engineered for highest linearity and neutral sound, it has been the most versatile large-diaphragm microphone for decades.

The C 414 XLS Stereo Set is a stereo condenser microphone matched pair bundle contains two C 414 XLSs that have been selected from thousands of individual microphones and hand tested for sensitivity characteristics that lie within 1dB of one another throughout the range of 300Hz to 8kHz in cardioid mode. They come with a full accessory kit that includes a pair of shock mounts, a stereo bar, two foam windscreens, and hardshell carrying case. You also get a copy of your microphones' performance charts to verify their matched performance characteristics.

The P120 is a 2/3-inch diaphragm true condenser microphone that offers solidly built quality, outstanding performance and excellent value. The low-mass diaphragm delivers a clear sound with accurate sonic detail for vocals, speech and instrument recording in project studios and for home recording.
Rugged all-metal body and robust design
withstands tough day-to-day use

• Switchable bass-cut filter
eliminates rumble or footfall noise

• Switchable attenuation pad
for high SPL applications up to 150 dB SPL