Ableton PUSH is an instrument that puts everything you need to make music in one place—at your fingertips.

Making music is hard. To stay in the flow, you need to be able to capture your ideas quickly, and you need technology to stay out of the way. Computers make it possible for one person to create whole worlds of sound. But instruments are where inspiration comes from. Push gives you the best of everything. It’s a powerful, expressive instrument that gives you hands-on control of an unlimited palette of sounds, without needing to look at a computer.

Ableton Push and Live work seamlessly together to provide the best of both worlds: hands-on hardware to make something from scratch, and full-featured software to fine tune and finish your song.

The new Push now puts even more elements of song creation at your fingertips. Play and program beats, melodies and harmonies. Use new sampling workflows to slice samples across the pads, play single hits, or play back time-stretched samples. Quickly browse, preview and load anything from your library of sounds and instruments. And with smoother, more responsive pads and a multi-color display that adapts to show exactly what you need, Push now brings a new level of playability.

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Ableton Push 2 comes bundled with the FULL version of Live 9.5 Suite worth Rs.55,000! This makes it the cheapest price for this bundle, anywhere in the world! And its in stock for immediate shipping! Order now!!

Like the original Push, the new version brings hands-on creation of melody and harmony, beats and song structure. Now designed and engineered entirely by Ableton, Push2 has a new level of playability that puts even more elements of song creation at your fingertips. Here’s how:

Large multicolor display. Push’s crisp and colorful new display adapts to show what you need and keep you in the creative flow. Library navigation, sample waveforms, effects parameters and mixer levels are instantly visible on the display and tweakable via the touch-sensitive encoders.

Sampling workflows. Push now has fast and flexible sampling workflows that let you slice samples across the pads and play back single hits and timestretched samples. Create looping instruments on the fly, chop up drum kits from recordings, or play longer rhythmic samples back in tempo – all without taking your hands off Push.

More musical and expressive pads. Push’s new pads have been carefully redesigned to feel just right for musicians of all kinds. Softer, smoother and more responsive, they provide the perfect playing experience for creating beats and melodies.

What’s new and improved in LIVE 9.7?
Redesigned Simpler. Live’s powerful yet easy-to-use sampling instrument has been completely overhauled with a new interface, warping and slicing capabilities, and new analog-modeled filters. Now Simpler lets you slice samples across the keyboard, play single hits, or warp long samples so that they always stay in time with your song.

Great-sounding analog-modeled filters. Live 9.5 introduces new filters based on classic vintage hardware that will self-resonate, produce feedback, and distort beautifully. Built in collaboration with Cytomic, these filters are now included in Simpler, Sampler, Operator and Auto Filter.

Improved meters and waveforms. Mixer volume meters now show both peak and RMS levels, indicating both sudden changes in level as well as perceived loudness. This makes controlling your track’s dynamics easier. Plus, new waveforms show more visual detail of your audio samples, with smoother zooming and scrolling.

Inspiring new instruments. Live 9 Suite owners can enjoy three stunning new Max for Live synthesizers that offer a wide range of sound design possibilities within a streamlined set of controls. These include Bass, a monosynth designed for bass sounds; Poli, a polyphonic synth that excels at strings, pads and stabs; and Multi, a synth designed for immediate tweakability from Push.

Connections
• External Power: 12V DC 1.25A
• USB Power: 5V/0.5A
• Two pedal inputs
• Kensington Lock

Shell
The upper shell is a thick but lightweight plate of anodized aluminum

Pads
• Soft silicon pads, carefully calibrated to respond perfectly at any velocity
• RGB backlighting

Buttons
The control buttons gently click and are lit with white or multi-colored LEDs to indicate a variety of states

Encoders
High-resolution endless encoders that respond to touch

Display
The high-resolution RGB display is bright and clear at any viewing angle and under any lighting

Touchstrip
• 17cm touch strip for pitch bend/scrolling
• 31 LEDs for navigation

Upgrade to Melodyne 4 Studio from ANY Melodyne Editor version.

Upgrade to Melodyne 4 Studio from any version of Melodyne Assistant.

Upgrade to Melodyne 4 Studio from any version of Melodyne Essential.

Upgrade to Melodyne 4 Editor from any version of Melodyne Assistant.

Upgrade to Melodyne 4 Editor from any version of Melodyne Essential.

Whether you're composing, recording, or just plain rocking out, the added effect of audio effects can be inspiring. It's a quick and easy way to freshen a track's sound and explore new musical possibilities.

Now imagine if you could also play that effect, wielding control over every parameter as if it were an instrument in itself. Stutter Edit goes far beyond simple effect automation: one press of a key can disintegrate a vocal line into a syncopated rhythmic roll, or transform each drum hit to an arpeggiated scale of pitches. The result can be as subtle or as jarring as you like— as the Stutter Edit performer, you're in control, whether on stage or in the studio.

Top features:
* Play effects like an instrument
* Remix in real-time, on stage or in the studio
* Cutting edge audio slicing and manipulation
* Elegant and intuitive MIDI control

Stutter Edit is the perfect complement to programs like Ableton Live for revitalizing remixes, mashups, or arrangements. Whether your game is electronica, hip-hop, pop, or beyond, Stutter Edit adds dynamics, tension, drama and artistry to even the simplest tracks and loops.

How does it work?
Stutter Edit's features revolve around an innovative engine that continuously samples live audio, storing that audio in a buffer that can be manipulated in a myriad of ways. The key to unlocking Stutter Edit's capabilities is the use of Gestures: a set of effects and their associated timelines that reside on a single MIDI note. The audible result of a Gesture can vary from simple to complex—a Stutter Gesture could simply repeat a small chunk of audio at an 1/8 note rhythmic rate, or it could trigger a run of raging glitches that get decimated by a bit crusher before being filtered into a wash of echoes. Whoa.

Condensing such sonic adventures into a single key press is what makes Stutter Edit so playable, especially with its intelligent sense of timing. Stutter Edit is designed with musicality in mind, which frees you to make wild sounds that still feel like a natural part of your tracks. Outside of the studio, couple Stutter Edit with a host like Ableton Live to rocket your performances into a new world of organic improvisation.

NOTE: Stutter Edit works differently than other audio effect plug-ins, it requires MIDI input from your host to trigger its effects. Not all hosts allow you to send MIDI to audio effects.

Meticulously captured drums, recorded in some of the finest acoustic environments in the world. Always pristine, world-class and executed with utmost craftsmanship.

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If you want to order box packs instead of a download edition, let us know too.

Note: The price here is given for one single library of your choice.

The three included equalizers focus entirely on the presence/treble frequencies, breathing air into single tracks or entire mixes.

Abbey Road Studios engineers found the presence boxes excellent for guitars, vocals and drums, especially snare and kick drum direct to tape. The units were in constant operation throughout the studios during recording and mixing, used to define the sound of instruments, brighten up the feed to the echo chambers and patch over compressors to create de-essers. They even found their way into the cutting rooms.

The original equalizers were exclusively built in-house by the Abbey Road engineers in the 1960s and quickly became a secret weapon at the studios. Before the plug-in version was released, they had never been available outside of Abbey Road Studios. Softube has faithfully modelled the passive circuitry of the three original units, component by component.

RS127 Rack (grey faceplate)
The grey RS127 Rack is the original Abbey Road Studios treble equalizer. It offers a boost or cut of up to 10 dB at 2.1, 3.5 and 10 kHz (or kilocycles per second as they used to be known).

RS127 Box (green faceplate)
When more units were needed in the studio, the portable green RS127 Box was built. The same circuit was used as in the original RS127, but with the addition of an audio transformer. The engineers quickly discovered that the transformer dramatically altered the sound character and the operating frequencies of the RS127. The frequencies got shifted a bit higher, which is of course also holds true for the plug-in model.

RS135
Lastly, the RS135 was created to fill in the frequency gap that the RS127 units left out. It's fixed at 8 kHz, offers boost only and is just as sweet and silky as its siblings.

So there you have it—a pack of brilliant, beautiful treble equalizers, straight out of Abbey Road Studios!

In short:
* Adds beautiful sounding treble and presence without harshness
* Three different passive treble equalizers, modeled from Abbey Road Studios' originals
* The original grey RS127, the green RS127 with added transformer and the 8 kHz only RS135
* Very low CPU usage

Release your inner beast with the first realistic guitar feedback simulator on the market. Go from moderate and subtle to rampant and wild by the twist of a knob (or two). To break new musical ground, try inputting a synthesizer, a violin, or even your mother's grand piano.

One thing that is really hard to achieve with a guitar amplifier simulation plug-in or hardware is the interaction in a room between the guitar and an amplifier turned up loud. Enter Acoustic Feedback - because this plug-in does precisely that. Whether you just want single notes to keep hanging a little longer and gently fade to sustained feedback or you want instant and rampant howls for your noise rock, Acoustic Feedback is your friend.

Acoustic Feedback comes bundled with a limited version of the White amp from Vintage Amp Room.

In short:
• Realistic simulation (physical modeling) of guitar feedback.
• Fully responsive to vibratos, bends, slides, tremolos etc.
• Simple user interface: Control amount of feedback with the Feedback knob, and the sensitivity with the Tolerance switch.
• Compatible with MIDI foot controls
• Includes a stripped down*, but extremely useful, version of the White amp from Vintage Amp Room.

*) Due to careless handling of the White amp, only the Master Volume and Mic position controls remain intact. All other pots have been broken off. Or something like that ...